The grid doesn’t just organize space—it creates relationships.

Each line and square connects to every other, turning even the simplest structure into a living field of possibilities. That’s why I keep coming back to it: not for its order, but for the way it lets me push against that order.

With a few nested for‑loops in Processing, I build grids that bend, ripple, and misbehave. Noise seeps in. Colors clash and align. Patterns break just enough to feel human. It’s part structure, part improvisation—an Apollonian frame for a bit of Dionysian chaos.

These pieces aren’t blueprints; they’re experiments. The grid is often my starting point, but it never stays static for long.